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Many people have found the intelligence of AIs to be shocking. This will seem quaint compared to a far bigger shock coming: highly emotional AIs. The arrival of synthetic emotions will unleash disruption, outrage, disturbance, confusion, and cultural shock in human society that will dwarf the fuss over synthetic intelligence. In the coming years the story headlines will shift from “everyone will lose their job” (they won’t) to “AI partners are the end of civilization as we know it.”

If something is common enough to require a trustworthy NPM package, then it is also well-represented in the training set, and you can generate it yourself.

The core principle is simple: reduce the need for external context and assumptions. An AI agent is at its best when the next step is obvious and the tools are intuitive. This framework builds from the most immediate agent interaction all the way up to the complete system architecture. This isn’t to say today's agents can’t reason or do complex things. But to unlock the full potential of today’s models—to not just solve problems, but do so consistently—these are your levers.

My takeaway? Maybe instead of arguing about MCP vs CLI, we should start building better tools. The protocol is just plumbing. What matters is whether your tool helps or hinders the agent's ability to complete tasks.

That said, if you're building a tool from scratch and your users already have a shell tool available, just make a good CLI. It's simpler and more portable. Plus, the output of your CLI can be further filtered and massaged just by piping it into another CLI tool, which can increase token efficiency at the cost of additional instructions. That's not possible with MCPs.

Once you have a well-designed, token-efficient CLI tool, adding an MCP server on top of it is very straightforward.

If you are at all interested in publishing, there is no better role model than Kevin Kelly. He has been doing it for a life time in one form or another.

the way I approach publishing today is with as much self-publishing as I can handle. I’d write in public installments, as a subscription newsletter, or e-book single chapters, or simple posts on my blog. If I could find an audience that wanted more of the material, I’d rewrite, re-edit, re-compose the material into a longer form. I’d release that as an ebook, and/or on-demand printed book sold in my shopify shop. If the material was deep, or involved more creators than just myself, I’d consider crowdfunding it. Those presales allow me to target exactly how many copies to produce. I’d calculate the cost of drop shipping. And at every stage I’d be making some kind of visual version for YouTube and the other attention seeking channels, because that is where the attention is.

Genie 3 means that people are soon going to be exploring their own personal worlds which will be generated for them based on anything they can imagine – photos from their phone will become worlds they can re-explore, prompts from their own imagination (or that of another AI system) will become procedural games they can play, and generally anything a person can imagine and describe will become something that can be simulated. Additionally, world models like Genie 3 will likely become arenas in which new AI systems are tested, giving them access to infinite worlds to train within before being deployed into our reality. AI continues to be underhyped as a technology.

Fear used to run the place. Fear of breaking the build, of untangling a stranger’s 4-year-old regex, of that ticket labeled ‘Small Fix’ that turns into a six-month expedition into the Mines of Legacy. But fear is just interest on the loan. And the rate is now zero.

It's like evolution. You don't design the perfect organism. You slop out millions of mutations and let selection sort it out. Except now selection happens in milliseconds and the mutations are guided by something that's read every programming book ever written.

A large portion of these still images are preliminary: a sketch, a first draft, a doodle, a memo, a phrase, not meant to share. But even among those creations completed, very few are shared – because they were made for the pleasure of making them. You can generate an endless stream of beauty for the same reason you take a stroll through a garden, or hike into the mountains – in the hope you’ll catch a moment of beauty. You might try to share what you find, but it is not why you went. You went to co-create it. I think of a walk in a garden, or a hike in the high mountains – a hike that is not necessary for transportation reasons – as an act of co-creation. Together with nature, we are co-creating the moments of beauty we might find. Most of the beauty in the world is never seen by anyone. When we encounter these glimpses of a vista, or an exquisite way something is backlit, we are an audience of one. The joy is in discovering it; sharing is an afterthought.